- Character acting for contemporary theatrical performance
- Straight acting for the contemporary stage
- Performance skills for the contemporary stage
- Advanced specialisation in acting methodology through Masters and doctorate studies in practice-based research
- Theatrical performance genres of realism, magic realism, poetic realism and hyper-realism
- Technique of innovative, professional contemporary practice originating from Stanislavsky and Chekhov technique
- Contemporary text analysis for stage, screen and performance
- Physicalisation and movement of character and contemporary text
- Devising theatrical contemporary works for solo and small ensembles
- Theatrical Autofiction: Generating solo and ensemble work from autobiographical material in to fiction for performance
- Audition technique for professional acting schools – NIDA, WAPPA and VCA in contemporary text and devised performance.
- Stagecraft language for contemporary stage
